Morreale, F. Sharma, M., & Wei, I-C. (2023). Data Collection in Music Generation Training Sets: A Critical Analysis. ISMIR 2023
Morreale, F., Bahmanteymouri, E., Burmester, B., Chen, A., & Thorp, M. (2023). The unwitting labourer: extracting humanness in AI training. AI & SOCIETY get access
Masu, R., & Morreale, F. (2021). Composing by Hacking: Technology Appropriation as a Pedagogical Tool for Electronic Music. in B. Steven ed. Teaching Electronic Music. Routledge. link
Morreale, F. (2021). Where Does the Buck Stop? Ethical and Political Issues with AI in Music Creation. Transactions of the International Society for Music Information Retrieval. link
Morreale, F., & Eriksson, M. (2020). My Library Has Just Been Obliterated: Producing New Norms of Use Via Software Update. Proc. ACM Conference on Human Factors in Computing Systems (CHI) link🏅honourable mention award
Morreale, F., Bin, A., McPherson, A., Stapleton, P., & Wanderley, M. (2020). A NIME Of The Times: Developing an Outward-Looking Political Agenda For This Community. Proc. New Interfaces for Musical Expression (NIME) link
Morreale, F., McPherson, A., & Wanderley, M. (2018). NIME Identity from the Performer's Perspective. Proc. New Interfaces for Musical Expression (NIME) link
Morreale, F., & McPherson, A. (2017). Design for Longevity: Ongoing Use of Instruments from NIME 2010-14. Proc. New Interfaces for Musical Expression (NIME) link
★★★ all publications
/ book chapters
Morreale, F. (2022). Rethinking Music Technology Pedagogy: A New Zealand Focus. in M. Locke, R. Ewing, & T. Locke ed. The Arts in the classroom, Advocacy, Theory and Practice. Teachers and Curriculum.. link
Masu, R., & Morreale, F. (2021). Composing by Hacking: Technology Appropriation as a Pedagogical Tool for Electronic Music. in B. Steven ed. Teaching Electronic Music. Routledge.. link
McPherson, A., Morreale, F., & Harrison, J. (2019). Musical instruments for novices: Comparing NIME, HCI and crowdfunding approaches. in S. Holland et al., eds. New Directions in Music and HCI. Springer.. link
/ journal articles
Morreale, F., Bahmanteymouri, E., Burmester, B., Chen, A., & Thorp, M. (2023). The unwitting labourer: extracting humanness in AI training. AI & SOCIETY get access
Blackmore, B., Thorp, M., Chen, A., Morreale, F., Burmester, B., Bahmanteymouri, E., & Bartlett, M. (2023). Hidden humans: exploring perceptions of user-work and training artificial intelligence in Aotearoa New Zealand. Kōtuitui New Zealand Journal of Social Sciences Online get access
McMillan, A., & Morreale, F. (2023). Designing Accessible Musical Instruments by Addressing Musician-Instrument Relationships. Frontiers in Computer Science get access
Bartlett, M., Morreale, F., & Prabhakar, G. (2022). Analysing Privacy Policies and Terms of Use to understand algorithmic recommendations: the case studies of Tinder and Spotify. Journal of the Royal Sociey of New Zealand get access
Morreale, F. (2021). Where Does the Buck Stop? Ethical and Political Issues with AI in Music Creation. Transactions of the International Society for Music Information Retrieval. link
McMillan, A., & Morreale, F. (2020). Purpose and Well-Being Through Administering Network Performances. Journal of Network Music and Arts. link
Morreale, F., Masu, R., & De Angeli, A. (2019). The Influence of Coauthorship in the Interpretation of Multimodal Interfaces. Wireless Communications and Mobile Computing. link
Morreale, F., Armitage, J., & McPherson, A. (2018). Effect of Instrument Structure Alterations on Violin Performance. Frontiers in Psychology - Performance Science, 9, 2436. link
Morreale, F., & De Angeli, A. (2016). Collaborating With An Autonomous Agent To Generate Affective Music. Computers in Entertainment, 19-29. link
Morreale, F., De Angeli, A., Masu, R., Rota, P., & Conci, N. (2013). Collaborative Creativity: The Music Room. Personal and Ubiquitous Computing, 1187-1199. link
/ conference papers
Morreale, F. Sharma, M., & Wei, I-C. (2023). Data Collection in Music Generation Training Sets: A Critical Analysis. ISMIR 2023.
Masu, R., Morreale, F. & Jensenius, A. (2023). The O in NIME: Reflecting on the Importance of Reusing and Repurposing Old Musical Instruments. NIME 2023. link
Gold, N., Masu, R., Chevalier, C., & Morreale, F. (2022). Share Your Values! Community-Driven Embedding of Ethics in Research. CHI 2022. get access
Bramah, O., Cheng, X., & Morreale, F. (2021). The Singing Gallery: Combining Music and Static Visual Artworks. Proc. Audio Mostly.
Morreale, F. (2020). A Guitar Pick Augmentation for Nuanced Effect Control. The 21st Century Guitar.
Morreale, F., & Eriksson, M. (2020). My Library Has Just Been Obliterated: Producing New Norms of Use Via Software Update. Proc. ACM Conference on Human Factors in Computing Systems (CHI). link🏅honourable mention award
Morreale, F., Bin, A., McPherson, A., Stapleton, P., & Wanderley, M. (2020). A NIME Of The Times: Developing an Outward-Looking Political Agenda For This Community. Proc. New Interfaces for Musical Expression (NIME). link
Dallas, L., & Morreale, F. (2020). Effects of Added Vocals and Human Production to AI-composed Music on Listener’s Appreciation. Proc. Joint Conference on AI Music Creativity. link
Morreale, F., & Eriksson, M. (2020). New and Improved? On Spotify and the Hidden Surveillance Mechanisms of Software Updated. Proc. 9th Biennial Surveillance and Society conference.
Guidi, A., Morreale, F., & McPherson, A. (2020). Design for Auditory Imagery: Altering Instruments to Explore Performer Fluency. Proc. New Interfaces for Musical Expression (NIME). link
Morreale, F., Guidi, A., & McPherson, A. (2019). Magpick: an Augmented Guitar Pick for Nuanced Control. Proc. New Interfaces for Musical Expression (NIME). link
Nordmoen, C., Armitage, J., Morreale, F., Stewart, R., & McPherson, A. (2019). Making Sense of Sensors: Discovery Through Craft Practice with an Open-ended Sensor Material. Proc. Designing Interactive Systems. link
Masu, R., Bettega, M., Correia, N.N., Romão, T., & Morreale, F. (2019). ARCAA: a Framework to Analyse the Artifact Ecology in Computer Music Performance. Proc. ARTECH. link
Goudarzi, V., Gioti, A., Lepri, G., & Morreale, F. (2019). Exploring Participatory Sound Art. International Computer Music Conference. link
Morreale, F. (2019). An Early-Stage Autobiographical Account of a New Performance Technology. Proc. International Symposium on Performance Science. link
Morreale, F., McPherson, A., & Wanderley, M. (2018). NIME Identity from the Performer's Perspective. Proc. New Interfaces for Musical Expression (NIME). link
Jack, R., Harrison, J., Morreale, F., & McPherson, A. (2018). Democratising DMIs: the relationship of expertise and control intimacy. Proc. New Interfaces for Musical Expression (NIME). link🏆best paper award
Harrison, J., Jack, R., Morreale, F., & McPherson, A. (2018). When is a Guitar not a Guitar? Cultural Form, Input Modality and Expertise. Proc. New Interfaces for Musical Expression (NIME).
Masu, R., Correia, N., & Morreale, F. (2018). Toward the adoption of design concepts in scoring for Digital Musical Instruments: a case study on affordances and constraints. Proc. International Conference on New Music Concepts. link
Morreale, F., & McPherson, A. (2017). Design for Longevity: Ongoing Use of Instruments from NIME 2010-14. Proc. New Interfaces for Musical Expression (NIME). link
Armitage, J., Morreale, F., & McPherson, A. (2017). "The finer the musician, the smaller the details": NIMEcraft under the microscope. Proc. New Interfaces for Musical Expression (NIME).
Morreale, F, Moro, G., Chamberlain, A., Benford, S., & McPherson, A. (2017). Building a maker community around an open hardware platform. Proc. ACM Conference on Human Factors in Computing Systems (CHI). link
Bin, A., Morreale, F., Bryan-Kinns, N., & McPherson, A. (2017). In-the-moment and beyond: Combining post-hoc and real-time data for the study of audience perception of electronic music performance. Proc. INTERACT. link
Masu, R., Conci, A., Core, C., De Angeli, A., & Morreale, F. (2017). Robinflock: a Polyphonic Algorithmic Composer for Interactive Scenarios with Children. Proc. Sound and Music Computing. link
Core, C., Conci, A., De Angeli, A., Masu, R., & Morreale, F. (2017). Designing a Musical Playground in the Kindergarten. Proc. British HCI. link
Morreale, F. (2017). Divesting Control to the Machine in Digital Art. Proc. EVA London. link
Morreale, F., & Masu, R. (2016). Renegotiating Responsibilities in Human-Computer Ensembles. Proc. Colloquio di Informatica Musicale. link
Masu, R., Conci, A., Menestrina, Z., Morreale, F., & De Angeli, A. (2016). Beatfield: An Open-Meaning Audiovisual Exploration. Proc. Design of Cooperative Systems. link
Bresin, R., Elblaus, L., Frid, E., Favero, F., Annersten, L., Berner, D., & Morreale, F (2016). Sound Forest/Ljudskogen: a Large-Scale String-Based Interactive Musical Instrument. Proc. Sound and Music Computing. link
Matassa, A., & Morreale, F. (2016). Multisensory experiences for singers: a first tangible prototype. Proc. Joint Conference on Pervasive and Ubiquitous Computing. link
Matassa, A., & Morreale, F. (2016). Supporting Singers with Tangible and Visual Feedback. Proc. Advanced Visual Interfaces. link
Gupta, R., Khomami Abadi, M., Cárdenes Cabré, J.A., Morreale, F., Falk, T.H., & Sebe, N. (2016). A Quality Adaptive Multimodal Affect Recognition System for User-Centric Multimedia Indexing. Proc. International Conference on Multimedia Retrieval. link
Morreale, F., & De Angeli, A. (2015). Evaluating Visitor Experiences with Interactive Art. Proc. Italian SIGCHI Chapter. link
Morreale, F., Miniukovich, A., & De Angeli, A. (2014). TwitterRadio: Translating Tweets into Music. Proc. Extended Abstracts on Human Factors in Computing Systems (CHI). link
Morreale, F., De Angeli, A., & O'Modhrain S. (2014). Musical Interface Design : An Experience-oriented Framework. Proc. New Interfaces for Musical Expression (NIME). link
Morreale, F., Chietera, M. T., & De Angeli, A. (2014). Prototyping Interactive Lighting for a Musical Installation. Proc. Experiencing Light. link
Morreale, F., Masu, R., & De Angeli, A. (2013). Robin: An Algorithmic Composer For Interactive Scenarios. Proc. Sound and Music Computing. link
Morreale, F., Masu, R., De Angeli, A., & Rota, P. (2013). The Music Room. Proc. Extended Abstracts on Human Factors in Computing Systems (CHI). link
Morreale, F., Masu, R., De Angeli, A., & Fava, P. (2013). The effect of expertise in evaluating emotions in music. Proc. International Conference on Music & Emotion. link
Fontana, F., Morreale, F., Regia-Corte, T., Lécuyer, A., & Marchal, M. (2011). Auditory recognition of floor surfaces by temporal and spectral cues of walking. Proc. International Conference on Auditory Display. link
/ convened panels, workshops, seminars
Morreale, F., Bahmanteymouri,E., Burmester, B. & Pasquinelli, M. (2023). Extracting Humanness, Exploiting Labour: The Inhumane Face of Artificial Intelligence. STS Italia. link
Morreale, F., Fehrer, J., Lythberg, B., & Mullen, M. (2021). NFT: Truths, myths & futures of non-fungible tokens in the arts. Webinar. link
Morreale, F., & Eriksson, M. (2021). Effect of dataveillance on artistic and cultural production: Exploiting user data to shape user preferences and create new content. STS Italia. link
Martin, C., Morreale, F., Wallace, B., & Scurto, H. (2021). Critical Perspectives on AI/ML in Musical interfaces . NIME.
Morreale, F., Gold, N., Chevalier, C., & Masu, R. (2021). Ethical guidelines for NIME research. NIME.
Martin, C., Morreale, F., Wallace, B., & Scurto, H. (2020). Critical Perspectives on AI/ML in Musical interfaces . NIME.
Armitage, J., Bin, A., Jack, R., McPherson, A., & Morreale, F. (2017). NIMEcraft Workshop: Exploring the Subtleties of Digital Lutherie . NIME Conference. link
/ workshop papers
McPherson, A., Morreale, F., & Guidi, A. (2019). Designing Creative Tensions between Concept and Embodied Practice. CHI 2019 workshop "Doing Things with Research through Design". link
McPherson, A., & Morreale, F. (2017). Technology and community in toolkits for musical interface design. CHI Workshop on HCI.tools. link
Morreale, F., Masu, R., & McPherson, A. (2017). Constraining control in mixed-initiative musical interfaces. CHI Workshop on Mixed-Initiative Creative Interfaces. link
Morreale, F. (2015). Designing Human-Machine Ensembles. CHI Workshop on Collaborating with Intelligent Machines. link
Conci, A., Core, C., & Morreale, F. (2015). Weighting Play and Learning in Interaction. CHItaly Workshop on PALX Player and Learner Experience. link
Morreale, F., De Angeli, A., & O'Modhrain S. (2014). Observations on Visitors’ Behaviour in The Music Room. NIME Workshop Practice-Based Research. link
Morreale, F., Masu, R., & De Angeli, A. (2014). Interacting With Algorithmic Music Through Semantic Descriptors. IAS Workshop on Computer and Robotic Systems for Automatic Music Performance. link
Morreale, F., De Angeli, A., & Masu, R. (2012). Interfaces for Musical Creativity for Non-Experts. DIS Workshop on Designing Performative Interactions in Public Spaces. link
/ phd thesis
Morreale, F. (2015). Designing New Experiences of Music Making. University of Trento. link
